James E. Churchill believes that telling the history of Monel and renewing the scientific data will empower conservators to educate and preserve key metallurgical heritage.
In 2019 I was introduced to a material I had only heard of in passing, Monel®*. Having previously come across it through the wrought craft of Samuel Yellin, a field trip to the southern tip of Manhattan placed me in front of a gleaming Monel elevator in an art-deco lobby. My interest was piqued. What was this alloy, how was it used and was it still popular?
In an attempt to hunt down interiors, I found redevelopment of department stores and banks, where the metal had flourished, had sadly led to total loss. I also discovered I was not alone in my ignorance.