Platinum, a collaboration between London-based writer Jack Shenker and British photographer Jason Larkin, seeks in both content and presentation of text and photographs to remind us that we are after all privileged observers of the events leading up to the massacre of at least 34 mine workers in South Africa’s platinum belt.
Larkin has spent a great deal of time thinking about how to make books and get them into the world. The stories he has covered as a photographer in the last several years have compelled him to think about the politics of art books – who makes them, who distributes them and, most importantly, who can afford them.
Platinum, the second collaboration between Larkin and Shenker, reflects these sensibilities. Larkin’s photographs accompany Shenker’s essay “Marikana”, a wide-ranging analysis of how South Africa got to Marikana, and how this event might come to define the country in years to come. Shenker is unflinching in his criticism of big business and the mining industry, and Larkin’s photographs offer a fairly dispassionate but astute look at the people and the landscape of the platinum belt around Rustenburg.
The publication of these two elements of the story takes the form of a loose-leafed folder of sorts: six posters printed back-to-back in full colour, and the essay — in English and with a translation in isiXhosa by Lulu Mfazwe-Mojapelo – as a separate booklet. All are held together with an elastic band inside a plain card sleeve with the title handstamped on the front.